Schrift als fingierte Signifikation. Xu Bings Buch des Himmels und seine unleserlichen Schriftzeichen

Translated title of the contribution: Script as fabricated signification. Xu Bing's A Book from the Sky and his illegible characters

Research output: Contribution to journalArticle

Abstract

Xu Bing's imaginary characters haven't stopped irritating their spectators since the first exhibition of his work "A book from the sky" (1988) in Beijing. For this monumental project, he created around 4000 characters, which, in a certain way, question the status and the tradition of Chinese characters. The characters Xu Bing invented are extraordinary because they don't have any meaning: they are empty and without any reference, only pure aesthetical form. At first sight, they look very similar to genuine Chinese characters, but the fact is that they mislead the reader and drive him into a non-signifying void. With Foucault's ontology of language and Derrida's grammatological critique of Western phonocentrism which implies the idea of an "archi-trace", I will suggest two approaches in order to conceptualize Xu Bing's simulacra of Chinese characters.

Original languageGerman
Pages (from-to)75-86
Number of pages12
JournalKodikas/ Code
Volume35
Issue number1-2
Publication statusPublished - 2012
Externally publishedYes

Fingerprint

Ontology
spectator
ontology
language
Chinese Characters
Signification
Xu Bing
Reader
Simulacra
Voids
Spectator
Beijing
Language
Jacques Derrida

ASJC Scopus subject areas

  • Language and Linguistics
  • Linguistics and Language
  • Communication

Cite this

Schrift als fingierte Signifikation. Xu Bings Buch des Himmels und seine unleserlichen Schriftzeichen. / Klawitter, Arne.

In: Kodikas/ Code, Vol. 35, No. 1-2, 2012, p. 75-86.

Research output: Contribution to journalArticle

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