Weiterleben der Prosa im Sternhagel der Bilder Formen und Funktionen des literarisch-filmischen Zitierens in Josef Winklers poetologischen Reportagen Ich reiß mir eine Wimper aus und stech dich damit tot

Research output: Contribution to journalReview article

Abstract

In his work Ich reiß mir eine Wimper aus und stech dich damit tot (« I pull out an eye lash oder lash and stab you to death »), a collection of short poetic stories, which is based on the author's poetics lectures at Goethe University Frankfurt am Main, Winkler makes diverse citations from Film and Literature. In this book, he does not construct an explicit form of poetics; instead of that he intends to tackle with pieces of images and words and to arrange those pieces as he likes, so that he can weave them with his own autobiographic experiences. In this way, the « screen » in a movie theater links with a skin, a window glass, or with paper, and even the movie theater itself becomes transposed into a church. This work shows how Winkler's poetic storytelling connects images and texts in an inimitable manner through principles of transposing and confounding.

Original languageGerman
Pages (from-to)89-102
Number of pages14
JournalEtudes Germaniques
Volume281
Issue number1
Publication statusPublished - 2016 May 19

ASJC Scopus subject areas

  • Literature and Literary Theory

Cite this

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title = "Weiterleben der Prosa im Sternhagel der Bilder Formen und Funktionen des literarisch-filmischen Zitierens in Josef Winklers poetologischen Reportagen Ich rei{\ss} mir eine Wimper aus und stech dich damit tot",
abstract = "In his work Ich rei{\ss} mir eine Wimper aus und stech dich damit tot (« I pull out an eye lash oder lash and stab you to death »), a collection of short poetic stories, which is based on the author's poetics lectures at Goethe University Frankfurt am Main, Winkler makes diverse citations from Film and Literature. In this book, he does not construct an explicit form of poetics; instead of that he intends to tackle with pieces of images and words and to arrange those pieces as he likes, so that he can weave them with his own autobiographic experiences. In this way, the « screen » in a movie theater links with a skin, a window glass, or with paper, and even the movie theater itself becomes transposed into a church. This work shows how Winkler's poetic storytelling connects images and texts in an inimitable manner through principles of transposing and confounding.",
author = "Hiroshi Yamamoto",
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