Musical Foundation of Interaction: Music as Intermediary Medium

Mototaka Mori*

*この研究の対応する著者

研究成果: Chapter

抄録

The article has two theoretical aims. Firstly, it reconstructs the Schutzian theoretical contribution to musical foundation of interaction. A. Schutz articulated a basic conception of interaction as making music together in contrast with Halbwachs’ professional musician’s communication. In this article, his very important motif will be ascertained by two aspects of his early work “The meaning of opera” and Husserlian phenomenological terms. Secondly, it proposes to develop this result up to a more general level of social system theory. Following the social system theoretical distinction of form and medium by F. Heider and N. Luhmann, we are asking how we could grasp music as form. Even if we presuppose not only a notation but also three elements of music of rhythm, melody, and harmony as form, sensory perceptions and bodily movements remain to exist residually, because they are symbiotically mediated through body and language. In other words, body and language, both of which also are mediums, are mediated through another medium of music. Therefore, we intend to conceptualize music as intermediary medium for interaction.

本文言語English
ホスト出版物のタイトルContributions To Phenomenology
出版社Springer Nature
ページ267-277
ページ数11
DOI
出版ステータスPublished - 2014

出版物シリーズ

名前Contributions To Phenomenology
69
ISSN(印刷版)0923-9545
ISSN(電子版)2215-1915

ASJC Scopus subject areas

  • 哲学
  • 科学史および科学哲学

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