Still Grieving: mobility and absence in post-3/11 mourning films

Yutaka Kubo*

*この研究の対応する著者

研究成果査読

抄録

Post-3/11 mourning films have thus far gained little scholarly attention. This paper aims to correct that imbalance by analyzing a novel and three films that deal with loss and absence: Tendō Arata’s The Mourner and its film adaptation by Tsutsumi Yukihiko, as well as Nakagawa Ryūtarō’s films Calling and Tokyo Sunrise. While the type of loss in each film differs, all three films focus on mobility and absence in the process of mourning. This paper aims at expanding the scope of the study of so-called shinsaigo eiga (films dealing with the 3/11 tsunami and its aftermath) to include the role of mobility and absence in cinematic mourning as well as offering an analysis of a rare representation of male mourning in Japanese film in the wake of the recent spate of disasters that have afflicted Japan.

本文言語English
ページ(範囲)55-67
ページ数13
ジャーナルJournal of Japanese and Korean Cinema
11
1
DOI
出版ステータスPublished - 2019 1 2

ASJC Scopus subject areas

  • 通信
  • 視覚芸術と舞台芸術

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