The long-lasting present: Art, duration, and contemporaneity

Pedro Erber*

*この研究の対応する著者

研究成果: Chapter

抄録

What constitutes the contemporaneity of contemporary art? Should we take the “contemporary” here as a simple reference to the historical period in which the art in question is produced or practiced? In this case, is it interchangeable with “present” or “current”? Or perhaps, beyond the sense of historical and chronological determination, the term contemporary indicates here something inherent to the specific way of being of certain works and artistic practices? This article charts the emergence of the notion of contemporary art and its underlying concept of contemporaneity in 1960s art criticism from a transregional perspective, taking the work of art critics Mário Pedrosa, Miyakawa Atsushi, and Michael Fried, as foci of comparative analysis.

本文言語English
ホスト出版物のタイトルContemporary Art and Capitalist Modernization
ホスト出版物のサブタイトルA Transregional Perspective
出版社Taylor and Francis
ページ31-40
ページ数10
ISBN(電子版)9781000180176
ISBN(印刷版)9780367490737
DOI
出版ステータスPublished - 2020 1月 1

ASJC Scopus subject areas

  • 人文科学(全般)

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