抄録
The network of Japanese designers who trained abroad in the inter-war period significantly shaped the phenomenon of Japanese Modernism-a phenomenon still to be thoroughly explored in the context of Modernism studies. This article offers a new perspective focusing on the mutual nature of transnational exchanges rather than the mono local context or the one way 'influence' of the Bauhaus and Constructivism on Japan which has been studied in the past. My analysis of the Bauhaus network as a component of the larger network of 1930s Japanese modernity in architecture and design confirms that one cannot capture this transnational landscape properly unless one considers the hybrid and productive outcomes shared by a network of artists involved. The analysis presents a number of networks that interact and overlap, with particular attention to the network of women artists.
| 元の言語 | English |
|---|---|
| ページ（範囲） | 370-385 |
| ページ数 | 16 |
| ジャーナル | Journal of Design History |
| 巻 | 27 |
| 発行部数 | 4 |
| DOI | |
| 出版物ステータス | Published - 2014 11 1 |
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ASJC Scopus subject areas
- Visual Arts and Performing Arts
これを引用
Transnational networkers-Iwao and Michiko Yamawaki and the formation of Japanese Modernist design. / Capková, Helena.
：: Journal of Design History, 巻 27, 番号 4, 01.11.2014, p. 370-385.研究成果: Article
}
TY - JOUR
T1 - Transnational networkers-Iwao and Michiko Yamawaki and the formation of Japanese Modernist design
AU - Capková, Helena
PY - 2014/11/1
Y1 - 2014/11/1
N2 - The network of Japanese designers who trained abroad in the inter-war period significantly shaped the phenomenon of Japanese Modernism-a phenomenon still to be thoroughly explored in the context of Modernism studies. This article offers a new perspective focusing on the mutual nature of transnational exchanges rather than the mono local context or the one way 'influence' of the Bauhaus and Constructivism on Japan which has been studied in the past. My analysis of the Bauhaus network as a component of the larger network of 1930s Japanese modernity in architecture and design confirms that one cannot capture this transnational landscape properly unless one considers the hybrid and productive outcomes shared by a network of artists involved. The analysis presents a number of networks that interact and overlap, with particular attention to the network of women artists.
AB - The network of Japanese designers who trained abroad in the inter-war period significantly shaped the phenomenon of Japanese Modernism-a phenomenon still to be thoroughly explored in the context of Modernism studies. This article offers a new perspective focusing on the mutual nature of transnational exchanges rather than the mono local context or the one way 'influence' of the Bauhaus and Constructivism on Japan which has been studied in the past. My analysis of the Bauhaus network as a component of the larger network of 1930s Japanese modernity in architecture and design confirms that one cannot capture this transnational landscape properly unless one considers the hybrid and productive outcomes shared by a network of artists involved. The analysis presents a number of networks that interact and overlap, with particular attention to the network of women artists.
KW - 1930s
KW - architecture
KW - Bauhaus
KW - Iwao and Michiko
KW - Japonisme
KW - modernism
KW - Yamawaki
UR - http://www.scopus.com/inward/record.url?scp=84914681818&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84914681818&partnerID=8YFLogxK
U2 - 10.1093/jdh/epu009
DO - 10.1093/jdh/epu009
M3 - Article
AN - SCOPUS:84914681818
VL - 27
SP - 370
EP - 385
JO - Journal of Design History
JF - Journal of Design History
SN - 0952-4649
IS - 4
ER -